An Cooperation between Our Senses: The Royal Ballet Joins with Blind Artist for Innovative New Production

The Royal Ballet for years made available headphones with spoken commentary so that sightless viewers could track the action on stage. Now, via a groundbreaking new work, the complete gathering will experience such narration within a work that investigates how blindness can reshape our perceptions to sensation, music and storytelling.

Blind Artist Works with Celebrated Dance Creators

Devon Healey, a blind artist, is working with Sir Wayne McGregor, together with other choreographers, and musician the celebrated composer in creating a fresh Royal Ballet commission that will debut on November 12th, International Ballet Day, as declared this week.

In her art, Healey is guided by a wish to demonstrate how visual impairment and disability can offer an different form of perception for everyone. Her rich spoken descriptions, woven with the score, establishes the heart of the performance on stage.

"Making exceptional dance and opera for everyone" is a mission statement of the Royal Opera House. Under Kevin O’Hare, the company's leader, the company is concentrating on "complete inclusion – encouraging creators and audiences to discover dance in life-changing innovative methods," he explained.

Several Choreographers Collaborate on New Performance

The new work is being created by choreographer Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, in addition to McGregor, every one working with Healey.

The curator, the curator of this work, stated: "World Ballet Day was created on the concept of access. Following a decade, we're extending that idea further to examine how impaired viewpoints can shape our art form, and encourage viewers of diverse capacities and backgrounds to discover ballet in innovative methods."

Following partnerships with the artist in Canadian venues and Australia, the curator understood that those with vision who had heard the artist's spoken descriptions felt it aided them comprehend dance, which can appear so abstract.

Moving Collaboration Between Expert and Non-Professional Performers

In a particular duet, the Royal Ballet dancer Leo Dixon will dance with Takashi Kikuchi, an amateur dancer who has been visually impaired from birth and who had always thought that dance was "mostly for sighted people". But the dancer has understood that it in fact "includes a lot of emotion and emotions" and engages perceptions, "visual and non-visual".

The dancer's unique narrative of earlier getting lost on his way home and depending on the sunlight to direct his way back had influenced a performance in which Dixon becomes the "warm breath of the sun around Kikuchi as they dance in unison," the choreographer explained.

"It was during the day and I had a sense that the sunlight should be shining from the west. So, if I faced the sunshine, even though I wouldn’t see the sunlight itself, I could perceive the warmth … So I continued moving to the western direction …. It led me home. The sunshine was a good assistant to me. The sun could be a meaningful symbol. So the narrative emerged from there."

Blindness Presents Distinct Connection with Movement

The blind artist, an academic of disability research at the Toronto university, commented: "Blindness and being blind invites a active relationship with movement in a way that is like a expert performer's relationship with their body and movement."

In collaborating with the performers, she was attempting to convey what "they perceive in their body, something that’s just not accessible through vision," she noted. "I speak with the performers to get a sense of how they are in their physical self, where their breathing is, what they consider, how their body are feeling.

"In collaboration with the dance creators [and] costume, stage lights, scenery and audio creators, the viewpoints and creativity of visual impairment are ever present as we, visually impaired and seeing persons, build a rapport through our love of dance and performance. It is this artistry and passion that I try to blend into the spoken commentary. It is a partnership of the senses directed by visual impairment."

The artist noted: "While the sight of the ballet, the gorgeous spectacle, is present before the viewers, there is a great deal that they overlook or understanding, and it is blindness that is welcoming seeing and blind patrons alike into the hidden. What I wish is that, when patrons depart, they experience ballet in a new way, and they’re also experiencing the presence, and hearing the understandings of, blindness in new and vibrant ways."

Musician Max Richter on Sound Descriptions

The composer, whose recordings have accumulated more than 3.5 billion digital listens, said the descriptive commentary established a rapport between visual impairment and vision "through a soundscape, providing expression to that which remains unseen". He noted: "This isn't just a explanation of a performance. It is the art."

International Ballet Event Collaborators

The company's international collaborators for World Ballet Day include the Canadian ballet company and the Australian Ballet. The companies will also offer availability to exclusive material, preparations and freshly produced works – transmitted in real-time via online channels.

Steven Serrano
Steven Serrano

A digital artist and vector graphics specialist with over a decade of experience in creating stunning visual designs for global brands.